Such works illustrate the development of a personal style which challenges both traditional and vanguard artistic values. A number of Miró’s experiments with avant-garde pictorial styles, such as the Cezannist “La Publicidad” and Flower Vase (1917) and the Fauve-inspired Portrait of Enric Cristòfol Ricart (1917), are included in this section. ![]() Joan Miró begins in 1915, with paintings that predate the artist’s first trip to Paris. These paintings, of an often startling expressivity, have never been seen in the United States. Also included is a selection of works left in Miró’s studio at his death. All twenty-three works of the Constellation series of 1940–41, a pivotal group of paintings on paper that shows the artist at the height of his career, are exhibited together for the first time. Among the many series represented is the group of so-called dream paintings from the 1920s, twenty-one of which are included in the exhibition. It comprises more than 150 paintings, as well as drawings, prints, sculptures, ceramics, and illustrated books, assembled from public and private collections from throughout the world. Joan Miró, which can only be seen in New York, is installed chronologically on both levels of the Museum’s temporary exhibition galleries. Joan Miró thus examines the full range of Miró’s oeuvre, offering an unprecedented opportunity to chart the development of one of the twentieth-century’s most innovative artists, as well as providing insight into the creative process itself. The exhibition is the first major survey to examine the artist’s pervasive tendency to work in series, and represents nearly all of his major cycles. ![]() The largest and most comprehensive exhibition ever held in the United States of the work of the Catalan master Joan Miró (1893–1983), Joan Miró celebrates the 100th anniversary of the artist’s birth with some 400 works in virtually all the mediums he employed. ![]() Yes, indeed, one can speak of cycles in my painting.” -Joan Miró, Selected Writings and Interviews, 1970 After a series of calm austere pictures there will by colorful dynamic ones. When I am traveling, I am always on the move, but when I return home I spend twenty-four hours in bed, I eat nothing, I drink only water. Both my life and my work are governed by alternating phases. “One thing comes as a reaction to something else.
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